A very practical class looking out of our habits and give us resources to get into music when dancing. We begin with a musical entry into heat. Through exercises recognize different rhythm patterns containing the tango we studied every Friday. Then we propose a sequence of moves in line with the particular characteristics of the orchestra, and exercise alone and in pairs to work with different layers of music.
Melodic / rhythmic
Phrases and fraseo
anacrusic, thetic, headless
Pitch Changes, the effect of cantor
Characteristics of each orchestra
We share biographical details of authors and directors, the social context of the letter, and compare different versions of the same tango.